Field of Life the Body in Contemporary Korean Art

The origins of Korean art can be traced back into the distant past of the Stone Age, with artifacts dating as far dorsum equally 3000 BC. Much of the traditional Korean art was heavily influenced by the aesthetics of the surrounding eastern cultures, such as art from Japan and China. Withal, over centuries Korean art gained its unique identity and distinctive characteristics.

Table of Contents

• 1 Characteristics of Korean Art
• 2 History of Korean Art
  • ii.1 Neolithic Era
  • ii.2 Iron Age
  • two.3 Iii Kingdoms Period (c.57 BCE – 668 CE)
  • 2.4 North-South States
  • 2.5 Goryeo Dynasty
  • 2.6 Joseon Dynasty
  • ii.vii Modern Korean Art
• 3 Forms of Korean Art
  • 3.1 Calligraphy and Print
  • 3.ii Ceramics and Sculpture
• 4 Famous Korean Artists
  • 4.1 Jeong Seon (1676 – 1759)
  • 4.two Park Su-Geun (1914 – 1965)
  • iv.3 Chang Ucchin (1917 – 1990)
  • 4.four Kim Tschang-Yeul (1929 – 2021)
  • 4.5 Nam June Paik (1932 – 2006)
  • 4.6 Lee Ufan (1936 – Present)
  • iv.7 Il Lee (1952 – Present)
• v Famous Korean Artworks
  • 5.1 Cocky Portrait of Yun Du-Seo by Yun Du-Seo (1715)
  • 5.2 Inwang Jesaekdo by Jeong Seon (1751)
  • 5.3 Water Drops and Calligraphy by Kim Tschang-Yeul (1995)
  • 5.four Interspace/Meditation past Lee Dong-Youb (2003)
• half dozen Oft Asked Questions
  • 6.1 Does Democratic people's republic of korea Take Art or Is There Only South Korean Fine art?
  • 6.2 Is Korean Traditional Art the Aforementioned as Japanese and Chinese Art?

Characteristics of Korean Art

Korean art has adult many traditional mediums such as pottery, calligraphy, and painting, with a focus being put on decorating surfaces with natural forms. Japanese and Chinese art had a huge influence on the Korean aesthetic, with Korean artists borrowing sure recognizable techniques and motifs from their designs.

Centuries of the Korean preference for simplicity led to a lessening of extremes regarding lines, and the usually rigid straight lines or overtly curving lines of the other eastern art traditions were modestly represented in the Korean counterparts.

The starting time three panels of a 10-panel folding screen with scenes of filial piety;Walters Art Museum, Public domain, via Wikimedia Commons

Korean art is connected to the concept of naturalism, and characterized by its non-complex and harmonious composition, displaying a deep connection with the artist's natural surroundings. The idea of naturalism was to endeavor to portray nature as true to life as possible, without the interference of the distortion created by the subjective human mind.

This led to a preference for using unadorned surfaces in the wood engraving techniques of Korean sculptors and Korean potters, who would strive to amplify the natural textures and contours of the medium, instead of working against it. This way is characterized past the abstention of techniques that apply farthermost angles, sharp lines, and bold outlines.

Korean art is typified by its gentle and natural content, fluent lines, and a feeling of harmony, residue, and peace.

History of Korean Art

Equally fine art historians have noted, the Chinese influence was prominent in the early evolution of Korean art history, still admit that over many years, the Koreans began to refine their technique into something unique to their own culture, creating styles that assimilated the techniques and motifs of their eastern neighbors, yet toning down the use of extreme angels or excessively assuming lines.

A map of Korea dating from the tardily 1700s; Public Domain, Link

Based on the bear witness collected from archeological sites, Korea was originally populated by people that had traveled via Manchuria from Siberia sometime during the latter menstruum of the Rock Historic period. Many pieces of artifacts constitute during archeological excavations accept been dated every bit far back as the Paleolithic period, approximately ten 000 BC.

Allow united states accept a deeper expect into the history of Korean art.

Neolithic Era

The Korean Peninsula has been occupied since approximately 50 000 BC when humans migrated in that location from Serbia. The primeval examples of pottery found take been dated by archeologists every bit existence from effectually the period 7000 BC. These apartment bottomed vessels were made from clay that had been fired over open pits, bearing the designs of horizontal lines and relief impressions.

Pottery With Applique Decoration, from the Neolithic Period;National Museum of Korea, KOGL Type 1, via Wikimedia Commons

The early influence from Siberia can be seen past the Jeulmun style pottery that surfaced approximately 6000 BC. These had been decorated with a comb pattern, typical of the style and menstruation. Sometime during 2000 BC, the large vessels used for storage and cooking were made, known as Mumun pottery. However, unlike other examples of pottery from Korean art history, these were largely undecorated.

Iron Age

This age is marked by the adoption of the iron casting techniques of the Chinese, most probable introduced during the 5th and 4th centuries BC through contact with Yan, a country of Northward-Due east Cathay. Information technology was common for Koreans to simulate techniques and technology from their eastern counterparts and turn it into something uniquely Korean, not but matching but sometimes even exceeding the processes learned from other cultures.

The introduction of this casting technology from Mainland china marks the get-go of the Korean Atomic number 26 Age.

Three Kingdoms Period (c.57 BCE – 668 CE)

During this period, the peninsula of Korea was ruled over past 3 separate monarchies, this is why it is referred to equally the Three Kingdoms Catamenia. The various kingdoms were known every bit Goguryeo, Baekje, and Silla.

Goguryeo

In 372 CE, Buddhism was introduced to Goguryeo, a kingdom that encompassed southern and primal Manchuria, as well every bit parts of modern-twenty-four hour period Korea. Information technology was during this time of Buddhist influence that members of the royal ruling form began to commission art dedicated to Buddhism. Goguryeo art is exemplified by vividly decorated murals on the ancient Korean tombs, which portrayed everyday scenes of life in the ancient kingdom.

A wall painting depicting a hunting scene in the Muyongchong Tomb, from the Goguryeo Kingdom;Unknown authorUnknown author, KOGL Blazon 1, via Wikimedia Commons

Baekje

The greatest Korean traditional art of the fourth dimension is said to come from the Baekje Kingdom. The Baekje culture took keen influence from the southern Chinese dynasties, and also in turn influenced other neighboring dynasties such every bit the Japanese. Baekje sculptures were religious in context, often depicting Buddha, but in typical Korean style which is typified past its warmth and harmonious proportions.

Continuing gilt-statuary statue of Buddha, from the Baekje Kingdom; Unknown author Unknown author, Public domain, via Wikimedia Commons

Silla

Many Korean crafts that accept been excavated take come from this kingdom, equally geographically it was rather isolated and so the tombs remain relatively undisturbed. Situated in the most southeastern section of Korea, it was the final kingdom to somewhen feel the influence of exterior cultures, and also the last to prefer Buddhism as the region'due south chosen organized religion.

The craftsmen of this region are well-nigh renowned for their gilded-crafting skills, such every bit crowns and gold jewelry, which share a shut resemblance to techniques found in Europe, leading some historians to believe that this region was part of the Silk Route.

Gilded crown of the Silla Kingdom; Gary Todd, CC0, via Wikimedia Eatables

North-Southward States

This catamenia refers to a time in Korean fine art history when the kingdoms of Silla and Balhae coexisted simultaneously in the southern and northern regions of Korea in the years between 698 and 926 CE. Unified Silla was a notable menstruation of production for Korean traditional fine art, especially regarding Buddhist fine art. 2 works that exemplify this catamenia are the Bulguska Temple and the Seokguram grotto.

Balhae art depicted scenes more than associated with daily life, with images of men at battle, musicians playing instruments, and aristocrats.

Goryeo Dynasty

This period lasted from 918 CE until 1392 and is most famously known for its celadon pottery. This style originated from China, yet Korean artists elevated the craft to a higher level, in plow leading the Chinese themselves to refer to Korean crafts and pottery as "the first under heaven." By reducing the corporeality of oxygen in the kiln, a green-blue hue is created, a glaze finish known as "kingfisher color." This pottery depicted fish, fruit, and mythical creatures in a gratis-flow style.

Kettle fabricated of celadon, made in the 12th century during the Goryeo Dynasty; National Museum of Korea, KOGL Type 1, via Wikimedia Commons

Joseon Dynasty

During this dynasty, many Buddhist elements remained visible in pop Korean painting, merely with the incoming influence of Confucianism, the traditional centers of fine art started to dismiss works depicting Buddha and moved towards increased realism. The previous art of the region had been stylized, only the new art which had been dubbed "truthful view" showed a marked turn from the less detailed landscapes and objects rendered in traditional Korean painting towards a new way of depicting landscapes exactly every bit they were.

Geumgangsa Military Cheop (1788) by Kim Hong-practice, Late Joseon Dynasty;Kim Hong-do, Public domain, via Wikimedia Commons

Modern Korean Art

During the Japanese invasion in the 1880s, Korean art suffered a huge blow when the institutes of fine art pedagogy were shut down, famous works were destroyed or stolen, and Japanese subjects and styles replaced traditional Korean art.

Since regaining its freedom from Japan in 1945, modern Korean art began to emerge out of the former imposition of Japanese styles and helped Korean artists regain their identity and unique forms of cultural expression.

A express resurgence has been seen in the use of Korean crafts that make use of materials such every bit bamboo, jade, metal, and textiles. Mod Korean fine art paintings require some understanding of the styles employed in Korean crafts such as ceramic pottery to fully appreciate the aesthetic that Korean artists are trying to replicate.

Forms of Korean Art

Korean fine art can be grouped into several categories divers by the employ of various mediums and techniques, from Korean painting to other Korean crafts, such as ceramics and sculpture to calligraphy and architecture. Here are some of the notable forms of art to come out of Korea.

Calligraphy and Impress

Calligraphy is considered loftier art in Korea, each brushstroke revealing something of the character and personality of the creative person himself, thus amplifying the subject beingness painted. Handmade paper is used in Korea for a range of applied and artistic uses. Architecturally, it is used for floor covering and window screening.

As an art medium, information technology is used in various forms such as press, newspaper figures, and even paper clothing.

Kim Jeong-hui, 1786–1856. Ink on newspaper, Gansong Art Museum. He was a prominent Korean civil government minister, Silhak scholar, and calligrapher. He invented his own style of calligraphy called chusache, based on ancient Korean awe-inspiring inscriptions;추사 김정희 (金正喜: 1786~1856), Public domain, via Wikimedia Commons

For the majority of the 20th century in Korea, the most prominent artistic medium was painting, with abstraction being of specific involvement to Korean artists in the 1930s. In the mid-1960s, a few artists started to challenge the status quo of what was expected from ink painters when they began to abuse the materials and dispense them in foreign ways by soaking canvases, pushing the paint effectually, ripping newspaper, and dragging pencils through the art, such every bit artist Kwon Young-Woo.

Ceramics and Sculpture

The most famous and oldest art in Korean fine art history is Korean pottery. It is continued to Korean ceramics such equally massive murals, tile work, and elements of compages. Much of the early ceramic techniques and styles were adopted from the Chinese civilisation.

Korean ceramics became highly revered in Nihon, considered the most famous Korean art for the Japanese. The chambered kilns used by the Koreans were highly effective in helping to forge the high-quality local materials into finished products that were somewhen exported to Japan.

Ceramic b lue and white porcelain plum and bamboo pattern jar from the National Museum of Korea;Octopus9576, CC BY-SA 4.0, via Wikimedia Commons

Famous Korean Artists

Also the older artists involved in traditional Korean art, some contemporary artists have left their marking on modern Korean art and S Korean fine art. Famous Korean artists from 20th Century Korea include Nam June Paik, Park Su-Guen, and Chang Ucchin. Notable Korean artists from the 21st Century include David Choe, Amy Sol, and Tschoon Su Kim.

Let'southward take a look at some famous Korean artists and the works that made them famous.

Jeong Seon (1676 – 1759)

Jeong Seon, also known as Kyomjae, was a traditional Korean artist famous for his landscape paintings. Jeong's work included mediums such as ink as well as Oriental-fashion water paintings. His style was not abstract merely bore some resemblance to reality, his landscape paintings being created in the "true-view" style pop at the time.

His paintings of Korean landscapes and life have made him one of the most famous in Korean traditional art.

Taking a residual after reading books (c. 1786-1856), believed to be a self-portrait of the painter Jeong Seon; Jeong Seon, Public domain, via Wikimedia Commons

Jeong Seon was born on the 16th of Feb, 1676 in Seoul. He was born to a poor family, and although they recognized his artistic talents at a very early age, they could do little to back up his desire to go a painter.

He painted mostly for leisure at this time, occasionally making landscape paintings for the rare client, until he was introduced to a neighbor that recommended him to the Joseon Agency of Paintings, where he then took up a position as a painter.

In 1711, he traveled to Mount Geumgang and created Pungak Mountian, Sin-Myo Year, an anthology consisting of xiii paintings. The following year, he returned and painted Realistic Representations of Sea and Mountains, an album consisting of xxx paintings. Jeong is considered ane of the most eminent painters of his era and many other Korean artists were inspired to emulate his techniques and way.

Park Su-Geun (1914 – 1965)

Park Su-Geun was born in Yanggu County in South korea on the 21st of Feb, 1914. As a teenager, Su-Geun taught himself how to paint in the style of Korean traditional art, following his studies at Yanggu Elementary School. He start launched his public career in Korean painting in 1932, when his work Spring is Gone was called to exist displayed at the 11th almanac painting contest held in Seonjeon. He was chosen eight more times to exhibit in the competition until 1944.

In 1953, he won get-go place in the annual National Art Exhibition, and before long subsequently, he took up painting total-time and went on to win a farther 10 competitions. He would continue to be chosen to serve on the screening commission in the following decade.

Park Su-Geun is best known for his use of Korean-based folklore themes and worked predominately in grayscale. Due to a cataract in 1963, Su-Geun lost fractional sight, and in 1965, at 52 years of age, he died due to liver disease. He spent about of his life in abject poverty but was awarded the Silver Crown of Order of Civilisation Merit after his death. His works can posthumously exist viewed at Museums such equally the USC Pacific Asia Museum likewise equally the University of Michigan Museum of Art.

Chang Ucchin (1917 – 1990)

Chang Ucchin was built-in on the 26th November 1917 in Korea at a time when it was still ruled by the Japanese. He studied at Tokyo'southward Imperial School of Art, where his focus was on western art styles. After his time as a professor of fine arts from 1954 to 1960, Ucchin left Seoul National Academy to concentrate on painting full time. Ucchin represents the modern fine art movement in Korea.

The subjects of his paintings include images of the moon and the sun, birds, children, and other things familiar to the Korean way of life, but painted in his unique techniques.

These techniques were developed through experimentation, inspired by the modernist trends of western cultures. Many of his works were oil paintings, simply he as well experimented with other mediums such as Chinese ink painting, drawing with marker pens, pottery painting, silkscreen, wood-block, and copperplate printing techniques.

His work exudes a child-similar innocence, viewing discipline matter and the surrounding globe through clear and unjaded eyes. Buddhist themes were common in his work, also as images of his neighbors and the scenes he saw around him in daily life. Examples of his works containing this simplistic child-like way include Two Families (1979), Wife (1979), Family (1979), and Iii (1973).

Kim Tschang-Yeul (1929 – 2021)

Kim Tschang-Yuel was born in Maengsan, Korea, on the 24th of December 1929. Afterward serving in the Korean War, he studied at Seoul Academy'southward College of Fine Arts in the mid-1950s. In 1966 he moved to New York to attend the Fine art Students League for a couple of years and so relocated to Paris. This abiding exposure to new artistic movements and schools of idea while traveling, led to Kim experimenting with liquid forms.

This fascination with liquid forms eventually led to Kim being recognized every bit a prominent contemporary Korean artist for his famous fashion of painting water aerosol.

The origins of the water motif can be traced dorsum to the traditions of  Eastern philosophy. For Kim, the subject acted as a kind of therapy for his past traumatic experiences serving in the state of war, also as a contemplation of infinity. For Kim, each driblet, being so naturally impeccable, represents a continuous repetition of pettiness, ending in the same state it started as.

As a tribute to Kim's lifelong contribution to art in Korea, the Kim Tschang-Yeul Museum of Art was opened in Jeju, South Korea in 2016. He now resides and works betwixt 2 different cities, Paris in France, and Seoul in South korea. Examples of his work tin be constitute exhibited to the public in institutions such as the Hirshhorn Museum and Sculpture Garden in Washington, and the National Museum of Modern Fine art in Tokyo, among many others. Famous works by the artist include Recurrence (2007), Waterdrops and Calligraphy (1995), and Untitled (1970).

Nam June Paik (1932 – 2006)

Nam June Paik is known around the world as the "Father of Video Art" and is responsible for creating a massive trunk of artwork ranging from work with tv and videotapes to functioning installations and video and video sculptures. Paik'due south artwork has inspired new generations of mod Korean art with his visionary art and innovative ideas and had an influence that reached effectually the globe.

His work stands out every bit being very different from traditional Korean art and a prime example of the new generation of South korea Fine art.

Paik attended the Academy of Tokyo, graduating in that location in 1956. Although built-in in Seoul in 1932, his family fled Korea during the Korean war in 1950. After leaving academy he traveled to Deutschland to further pursue his passions of avant-garde music, operation, and composition. He joined the neo-dada Fluxus movement after meeting George Maciunas and John Cage. Nam held his solo exhibition in 1963 at the Galerie Parnass in Wuppertal, featuring contradistinct content transmitted through a series of television sets.

Paik immigrated to New York in 1964, expanding his experiments with television and video.

In 1969, he collaborated with an engineer from Nippon, Shuya Abe, to construct a epitome video-synthesizer that allowed Nam June to layer and manipulate various images from a multifariousness of input sources. This hybrid synth was dubbed the "Paik-Abe Video Synthesizer"  and it changed the face of electronic image manipulation. With these tools, Paik had created a new medium of artistic expression and went on to create well-known artworks such as the seminal piece of work Global Groove (1973), to his sculptures such every bit Boob tube Buddha (1974)

Lee Ufan (1936 – Nowadays)

Lee Ufan was born in Haman County, Korea in 1936. He is a minimalist sculptor and painter, and his contributions to the evolution of contemporary art have been recognized and honored by the government of Nippon. Lee was too a philosopher and a prominent theorist of the Mono-ha philosophy. An appreciation of the intrinsic nature of objects is an Eastern artistic philosophy that tin be identified as a source of inspiration for his work.

Lee was part of the first Korean art motion of the tardily 1900s to be promoted in Nippon, a style known as "Korean Monotone Ar".

Ufan felt that the postwar society of Japan in the 1960s was too heavily reliant on influences from the westward, specifically Europe, and advocated the de-westernization of Korean society equally an antidote, through both philosophy and art. Every bit a proponent of the Mono-Ha motility, his work focused on the connectedness between materials, too equally the perceptions thereof, rather than focusing on the western need for representation or expression.

Lee Ufan's series of sculptures Relatum consisted of several stones and large rectangular plates made from iron, each bundled in various formations. His sculptures ofttimes employed materials such as sheets made of rubber, steel plates, and panes of glass. Each of these materials forms a unique human relationship with the others as a balance is reached betwixt the objects inside a finite space, and the person viewing them.

He has been recognized for his artwork internationally through many institutions, and received the UNESCO prize at the Shangai Biennale in 2000, and in 2001 he won the 13th Praemium Imperiale for painting as well as the Ho-Am Prize of the Samsung Foundation.

Il Lee (1952 – Present)

Il Lee was born in Seoul, South Korea in 1952, simply has lived in the U.s.a. since the mid-1970s. Unlike traditional South Korean art, Il Lee is known for his unique artwork made with ball-point pens, and big-scale works featuring abstract imagery on canvas and newspaper. Il Lee has exhibited his work in many cities, not simply in North America, but also in Tokyo, Mexico City, Paris, Hong Kong, Seoul, New Delhi, and Mexico Metropolis.

He started experimenting with ballpoint pens while studying etching at Pratt.

Although his early on works were all on newspaper, he later on moved to larger surface areas more suitable for display such as primed, large canvases. Each artwork was created past applying layer upon layer slowly, over weeks or months. This technique was painfully irksome and took more work than many realize upon the first inspection, leading to many concluding that his work could be labeled minimalist.

Lee does not championship his piece of work in a typical manner but prefers to utilize his system of numbers and letters to name and catalog his work, such as SBK-0811 or WR-1201. He describes his process while creating a slice of piece of work every bit "intuitive", preferring to accept a mind gratuitous of distractions and no preconceived ideas as to what should menstruum out during the procedure.

While focusing on the sail, he allows the piece to form out of the controlled motility of natural gestures of the hand.

Famous Korean Artworks

Traditional Korean fine art was typified by its move away from the influence of surrounding cultures and creating artworks that were more natural and flowing. Modern Korean art, on the other hand, branched out into fascinating styles that explored deeper philosophical relationships betwixt the subject and the viewer, using anarchistic mediums and materials to convey a subtle message. Let's have a look at a few examples of traditional and mod famous Korean art.

Self Portrait of Yun Du-Seo past Yun Du-Seo (1715)

Creative person	Yun Du-Seo
Year	1715
Medium	Light Colour on Paper
Dimensions	twenty cm x 38 cm

Yun Du-Seo was a famous traditional Korean artist from the Joseon period. He devoted his entire life to the study of Confucianism and painting. This work is his self-portrait. Most of the canvass is taken up by his head and beard with no visible portrayal of a body in the painting. The skullcap that can exist partially seen at the height of the painting is fabricated from horsehair and was typical headwear for the era.

Out of the many self-portraits to come out of his era, this is considered particularly noteworthy for the unique mode of expression, and is considered a masterpiece.

Self-portrait of Yun Du-Seo (1715) by Yun Du-Seo; Yun Du-seo (1668–1715), Public domain, via Wikimedia Commons

Inwang Jesaekdo by Jeong Seon (1751)

Artist	Jeong Seon
Year	1751
Medium	Ink on Paper
Dimensions	79 cm x 138 cm

Inwang Jesaekdo was painted in 1751 by the famous Korean artist, Jeong Seon. Inwang Jesaekdo translates to After Rain at Mt. Inwang. It was created during the Joseon Dynasty in Chengun-Dong in the Jongno Commune, his birthplace. In 1984, the slice was designated the 217th National Treasure of Korea by the South Korean authorities. It depicts a rural Japanese landscape, with rolling mist creeping through the trees beneath the mountains, as the scene clears post-obit the autumn of pelting. The painting is currently housed and managed by the Ho-am Art Museum in Yongin.

Inwang Jesaekdo (1751) by Jeong Seon; Jeong Seon, Public domain, via Wikimedia Commons

Water Drops and Calligraphy by Kim Tschang-Yeul (1995)

Artist	Kim Tschang-Yeul
Twelvemonth	1995
Medium	Prints and Multiples, Aquatint
Dimensions	57 cm x 74.5 cm

Kim Tschang-Yeul is a prominent effigy amidst Korean artists at the forefront of Korean modernism in the mail-war era. Built-in in 1929, he spent more than five decades refining and experimenting with his technique of painting water droplets. Water Drops and Calligraphy is considered a fine example of his work. Much of his work is symbolically based on his philosophical outlook on life, the droplets representing the meaning existence meaningless, the transparent nature of water could both be perceived equally a metaphor for the emptiness of a droplet, yet it still contains form and substance.

Interspace/Meditation by Lee Dong-Youb (2003)

Artist	Lee Dong-Youb
Year	2003
Medium	Acrylic on Sail
Dimensions	160 cm x 160 cm

Lee Dong-Youb was born in 1946. He held his first solo exhibition in 1977 at the Seoul Gallery, whose founder was too Lee's father-in-law. He is considered past art historians to be a leading effigy of the Korean abstract painting movement. Lee's work is driven by his personal view of what the mail service-modernist creative landscape should look like. The most prominent themes of his work are the circadian nature of resonance, symbiosis of elements, and dynamic interplay of the environment and the state of the original being.

In conclusion, nosotros take learned that Korean fine art can be traced back to the time of prehistoric homo history, we take seen how neighboring Eastern cultures had a major influence on traditional Korean fine art until information technology found its graphic symbol and style. After the Japanese colonial occupation, Modern Korean art flourished into many sub-styles that went across the status quo of what art represented to Koreans.

Take a expect at our Korean art facts webstory here!

Frequently Asked Questions

Does Democratic people's republic of korea Take Art or Is There Just Due south Korean Art?

Nigh if not all of the artists listed above are from South korea. Democratic people's republic of korea does not seem to accept much art civilisation, with virtually of the paintings being military propaganda and simply displaying symbols of nationalist pride.

Is Korean Traditional Art the Same as Japanese and Chinese Fine art?

Although the neighboring Eastern countries initially had a big influence on Korean civilisation, Korean fine art somewhen grew from its own national identity, one being largely focused on the peaceful and naturalistic elements of life, and Korean art reflected that with its subtle flowing lines and natural subject matter.

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Source: https://artincontext.org/korean-art/

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